Running in Circles, artist talk part of the Transpersonal lecture series, General Theory Forum, ICA, London

New work commissioned by Container Artist Residency exhibited in Creative Operational Solutions at Para Site, Hong Kong, until February 26

Artist talk at the Empire Remains Shop, 91–93 Baker Street London W1U 6QQ, 6.30 PM

‘Take a Good Lamp’ artist text published in Cultural Politics Journal, edited by Jussi Parikka and published by Duke University Press, November 2016.

New installation for the Empire Remains Shop, London, on display until 6 November

A group show in Blackwood Gallery, Toronto, until 3 December.

An interview in Art in America about working at sea for Container Artist Residency

Participating in the main project of the 5th Moscow International Biennale for Young Art

Solo show at Pearl Lam galleries, Hong Kong. Until 15 July

B/NdAlTaAu is in the group show The New at Kunstverein Duesseldorf until 17th of July

Speaking today at the Architectural Associations at the Are We Human? symposium organised by Beatriz Colomina & Mark Wigley

Travelling down supply chains onboard a cargo ship heading from Hong Kong to Nigeria as part of Container Artist Residency 01

‘Mine’, artist text published in the Rare Earth book edited by Boris Ondreička and Nadim Samman. Co-published by Sternberg Press and Thyssen-Bornemisza Art Contemporary.

Kingyo Kingdom screened as part of Possibility Human exhibition at Zeppelin Museum Friedrichshafen, until 9 October

Artist text published in Are We Human, a catalogue edited by Beatriz Colomina and Mark Wigley for the 3rd Istanbul Design Biennial.

75 Watt is part of the group exhibition Our Work at Lunds Konsthall, Sweden, until 1 May

D/AlCuNdAu and From Below exhibited at Earth Machines, Yerba Buena Center for the Arts until 6 December

Revital speaking on the Manufactured Objects panel at the MIT Media Lab Summit, 2pm

75 Watt screened at the Salaam Kivu International Film Festival in Yole! Africa, Goma, DR Congo

Group show at Christope Guye Gallerie, Zurich until 5th September

Review by Alexander Scrimgeour in the summer issue of Artforum